Here's the second one. It's 1665 words. It said you could adjust the unit 4 portion- I started a completely new topic, so the following is the entire essay in APA with resources:
As I will choose three compositions that are from the same period, and that contain a related theme, I will pick cubism as a model. To begin with, as we view most important concepts in cubist fine art, we can see how a variety of points of views are utilized and highlighted. Cubist art lets artists to depict objects from many angles, at the same time, throughout the use of geometric figures. In Cubism the theme is broken up, as well as reconstructed in an abstract form.
First of all I will pick a work of art called "Violin and Playing Cards" by the Spanish painter Juan Gris. Juan Gris strangely selected the Spanish word for grey as his imaginative, artistic pseudonym, although Juan Gris' life was anything but grey, dull and uninteresting. Juan Gris' life was spent in the midst of the enthusiasm of early twentieth century in Paris in the company of associate cubists Georges Braque along with the famous artist from Spain Pablo Picasso. Before turning out to be an artist, Juan Gris made a living, fairly poorly, advertising and selling comic representations to magazines and journals.
In "Violin and Playing Cards", a cubist canvas, Juan Gris applies widespread, sharp angular planes that overlap. When we examine this composition by Juan Gris, it is quite complicated, in the beginning, to make a distinction what is really going on. This is the case in a lot of cubist compositions, which are regularly more similar to puzzles waiting to be resolved. When I explain Juan Gris's work of art "Violin and Playing Cards", it's essential to make a note of how daily objects and props are brought into the composition to display an everyday theme of common life.
In terms of Cubism's abstract superiority I will use Pablo Picasso, who is the most well-known as well as eminent figure. We can straightforwardly declare that the development of cubism could be attributed to Pablo Picasso. Picasso spent the greater part of his living in France. During Blue Periods, Picasso revealed gloomy and sad people of the poor societal condition utilizing numerous shades of blue paint. The work of art called "The Blind Man's Meal" by Pablo Picasso summarizes the stylistic distinctiveness and uniqueness of Pablo Picasso's Blue Period. Pablo Picasso's Blue Period is rigorous representation, straightforward hieratic compositions and forms, as well as certainly, a blue tonality. "The Blind Man's Meal" is an exceptional composition which is one of Picasso's most emotional works of art from his Blue phase. This composition is not just simply a depiction of a sightless man; it is also Picasso's observation on human torment and sufferings in general. Additionally, "The Blind Man's Meal" brings to the surface a connection and similarity to Picasso's own circumstances at that moment in time, when, penniless and depressed Pablo Picasso identified with the unlucky and unfortunates of the social structure.
Finally, as I talk about cubism, I will choose the work of art called "No. 9, Nature morte espagnole" by Diego Rivera as a model. For the duration of the twentieth century Diego Rivera's acknowledgment developed with many gigantic wall works of art depicting sceneries from the Mexican history. Diego Rivera painted a number of noteworthy works of art in the United States. Diego Rivera cubist composition illustrates his unique approach to synthetic cubism with his utilization of multipart arrangements of transparent planes, with a meticulous emphasis on sensory as well as memory connection. Rivera's repeated utilization of the colors of the Mexican flag present a reminder of his national territory from far away, packed with consideration, nostalgia, as well as with longing.
Cubism was an effort by artists to regenerate and refresh the worn-out traditions of Western art which they thought had run their course. The vital concept of Cubism is that the essence of an object could only be captured by means of showing it from numerous viewpoints at the same time. In terms of style, Diego Rivera makes use of vivid colors.
Synthetic Cubism is the second fundamental division of Cubism that was developed by Juan Gris together with Pablo Picasso, even though Diego Rivera is unsurpassed and best recognized, unquestionably as a mural artist and in addition Diego Rivera is acknowledged not just for the magnitude of his creation, but also for the individuality and uniqueness of his subject matter together with his own individual style. In all three cubist works of art, the objects are broken up, well thought-out, and reconstructed in an abstracted formation plus all artists are not depicting objects from just one viewpoint, every single artist represent their subjects from a multitude of position to signify the subject matter in a advanced and greater perspective and context. Furthermore, each and every work of art depicts the surfaces that intersect at outwardly unsystematic angles.
Diego was interested in cubism for the reason that cubism questioned the pre established ideas as well as conceptions of painting. Diego Rivera was following Picasso's development, for the reason that cubism style was formerly found and instituted by a famous artist, Pablo Picasso. Diego Rivera is an extremely skilled painter, and his approach and style is recognized for its fracturing of appearance, utilization of various perspective points as well as a flattening of the image. Highlighting Diego Rivera's exceptional approach to synthetic cubism "No. 9, Nature morte espagnole" explores the evocative connection and association developed amongst objects, public, in addition to places, repeatedly including, particularly, Mexican pattern and ornamentations. Diego Rivera retained Pablo Picasso's outstanding fracturing of appearance and form, making use of of multiple perspective points, in addition to flattening of the image plane. Distinguished in lively as well as in vivid coloration along with huge dimensions, Diego Rivera's works of art also features highly textured surfaces completed in a variety of techniques. "No. 9, Nature morte espagnole" is distinctive and unique because this work of art includes many souvenirs of Mexico from the past and is infused with revolutionary reflection, nostalgia in addition with melancholy. Diego Rivera acquired his style from knowledge and learning's of folk art together with the national Mexican compositions. Diego Rivera's focus is Mexico's past together with the everyday way of life of Mexican population and with these murals Diego Rivera projected to enlighten Mexicans about their the past and of course about their history.
Juan Gris was the third musketeer of cubism, and he essentially moved forward cubism further towards its logical climax. Juan Gris had built up a vivid and multi colored cubist method of extensive, sharp, angular, overlapping planes, a method that developed into a fully shaped synthetic cubism, influenced by Picasso. Spanish artist Juan Gris was unsurpassed and he improved the cubist expressions into his own instantly identifiable visual language. As we look at the object of this work of art, our eye examines it, stopping to register on a certain feature or element prior to moving on to the next point of concentration and due to the different wood grains, we are capable of differentiating the violin from the table. The playing cards that are positioned on the table with the wallpaper are simple enough to recognize and once we get to the other figures, neighboring the violin in green, black and purple, it takes quite an imagination to depict them for the reason that the shadows of the violin. Not only does Juan Gris separate the violin from its shadow, Juan Gris also slices up or divides the shadow itself into the secondary colors revealed in it. Additionally, black, blue in conjunction with the purple sharp planes improve the composition, which is placed in opposition to a deep red diamond delineated background trying to be like the wallpaper. Gris brought in actual subjects and materials, such as wallpaper together with chair caning, both the actual materials as well as painted reproductions, into his compositions in what emerged to be accepted and recognized as collage and Juan Gris's synthesis of realism is acknowledged as synthetic cubism, which demonstrated and proved to be of fundamental and critical importance to the development and advancement of modern art.
It is without a doubt impossible to imagine and to write about the growth of modern art and not to incorporate Pablo Picasso. "The Blind Man's Meal" painted by Pablo Picasso, sums up the stylistic characteristics of his Blue Period. This particular composition presents a sad and unhappy figure seated at a frugal meal and an empty bowl together with a white cloth complete the life at a standstill on the table. In addition, "The Blind Man's Meal" composition brings forth affinities to Pablo Picasso's own condition at the time, when, poor and miserable and depressed, he directly related to the unfortunates of the social structure. Picasso took a magnificent spin as he built up his unique, matchless and distinguishing style, the practically monochromatic works of art of his Blue Period. Many of Pablo Picasso's oil compositions from this period contain the depressing, gloomy, dark atmosphere and dark mood together with the blindness as a subject matter. In "The Blind Man's Meal" diverse senses appear to be enhanced as compared with the lack of vision and in particular, the long, thin hands of the figure in this work of art are crucial to a development of the senses since these long, thin hands are direct actors in touching the bread and the bowl. Plain atmosphere as well as the men's blindness, makes his disenfranchised state all the more emotional and touching. Furthermore, the highlights on his neck as well as face, the long, thin hands, bread, empty bowl and the cloth place the figure in relief against the austere background. The style of Picasso for the duration of the Blue Period may well be deliberated of as a kind of consideration or a thought on blindness. Finally, for us the most important to consider is that the figures are identifiable as people, which is more than could be said for several paintings from his Cubist epoch.
Diego Rivera: "No. 9, Nature morte espagnole (No. 9, Spanish Still Life)", 1915 oil on canvas.
(2008) National Gallery of Art, Washington. Retrieved from http://www.nga.gov/exhibitions/2004/rivera/images/fullscreen/a0005549.jpg
Juan Gris: "Violin and Playing Cards" (2008). In Timeline of Art History. New York: The
Metropolitan Museum of Art. Retrieved from http://www.metmuseum.org/toah/images/hb/hb_1995.403.14.jpg
Pablo Picasso: "The Blind Man's Meal" (2008) In Timeline of Art History. New York: The
Metropolitan Museum of Art. Retrieved from http://www.metmuseum.org/toah/images/hb/hb_50.188.jpg